Came down ‘ere about a fortnight ago, following the line of the river through town. Wasn’t having much luck until then, it was all shopping malls and traffic wardens. None of them wants you around, see. There was the occasional park and that, but they gets trouble up there in the night, so it wasn’t much use. Anyways, I ‘eard about the dockyard from some swanky magazine, believe it or not. Found a copy lying on the street someplace and had a read of it in a quiet doorway. Said the place had managed to ‘retain its historic character’, which I took to mean, it hadn’t all been turned into flats and restaurants like every other blinkin’ place I’s come across. So I followed the course of the water as best I could, and I see’s its already started; people spillin’ out to the water’s edge with cappuccinos and what ‘ave you. But there’s an old train line running through, with moss and spring flowers all mixing in. So, I started following the tracks as they curved downriver; like a highway of old it was, all crusty sleepers and rusted iron. Eventually led me ‘ere. There’s not a lot around, but that’s what I like about it. You can always find yourself a proper little nook where no one’ll bother you. Feel like I got friends in the cracks, y’know, and the peeling paint. And that water’s always running, churning through them old gates as sure as times passin’. Makes me think, if it all goes to pot, I’ll just find myself a nice bit of driftwood and float on out of ‘ere.
I recently came across an interviewwithKen Schlesabout his photographic projects, Invisible Cities and Night Walk, in which he gives a visceral and eye-opening account of reality in downtown New York in the late 70’s and 80’s.
Well worth a read for photographers, urbanists and city-inspired artists.